Gilles Deleuzeün Kristal-İmaj Kavramı Üzerinden İstisnai Bir Adem ve Havva Hikayesi: The Fountain (2006)

The concept of motion-image, which is one Gilles Deleuze's important concepts about cinema, identified with Hollywood films. organic fiction structure, the linear narrative story, situations movie characters are in, actions they take, these and transforming each other reaching a conclusion, presenting all in way that suitable for sensory-motor seen as elements included definition movement-image. Although justify identification motion-image cinema there also films contrary to this conventional structure terms some elements. One Fountain, directed by Darren Aronofsky 2006. film takes love at center three interrelated interlocking stories. With stories, fed from different time periods mythological elements, feeling Love surrounds entire filmic universe. possibility main protagonists turn into Adam Eve, becomes evident middle first story told movie, will make theme similar creation, thus be related situation where superhuman cosmos rather than between two people. This film, differs traditional plot produces exceptions forkings, considered together time-image. Time-image can described an order images far narration, audience think hero, break their mechanism. In article, Fountain (2006) time-image crystal-image concept, its regime. presents possibilities reflections same faces crystal. Three stories throughout surfaces lives heroes. Based on (2006), revealing direct image examined based peaks present, sheets past symptoms crystal-image.